Can a musical journey span decades, evolving while still retaining its core essence? For the electronic pop duo Phantogram, the answer is a resounding yes, their career a testament to adaptability and enduring artistic vision.
Phantogram has, quite literally, been around the block more than a few times. From the early days in Saratoga Springs, NY, to international acclaim, the duo, comprised of Sarah Barthel and Josh Carter, has carefully paved their path, illuminating it with strobe lights and crafting a sound that is both instantly recognizable and perpetually evolving. Their music, a fusion of electronic pop with influences from various genres, has resonated with audiences worldwide, a testament to their ability to connect with listeners on a deeply emotional level.
| Full Name: | Sarah Demarest Barthel |
| Born: | October 1, 1983 |
| Birthplace: | Greenwich, New York, USA |
| Occupation: | Musician, Singer, Keyboardist |
| Known for: | One half of the electronic music duo Phantogram |
| Musical Style: | Electronic Pop, Indie Pop, Dream Pop |
| Associated Acts: | Phantogram, Big Boi, Miley Cyrus |
| Relationship: | Shaun White (Dating) |
| Instruments: | Vocals, Keyboards, Bass |
| Notable Albums: | Eyelid Movies (2010), Voices (2014), Three (2016), Ceremony (2020), Memory of a Day (2024) |
| Awards and Recognition: | Public Awareness Award at the American Foundation for Suicide Prevention's 2018 Lifesavers Gala |
| Website: | Phantogram Official Website |
The electronic pop music duo has seen their share of accolades. The American Foundation for Suicide Prevention recognized their efforts by honoring them with the Public Awareness Award at the 2018 Lifesavers Gala. This recognition underscored their commitment to raising awareness about suicide prevention, a cause close to Barthel's heart following the tragic loss of her sister. This difficult experience has undeniably shaped their music and their public persona.
The release of their latest album, "Memory of a Day," marks another chapter in their journey. This album, a cohesive collection of songs, seems to bring together all of the stages of Phantogram. The spark for this album, according to Barthel, was a desire to return to their roots, to write without expectations, reminiscent of the days when they were first starting out and creating music simply for the love of it. This approach is evident in the album's diverse soundscapes and the willingness to experiment with different rhythms, like incorporating different time signatures, "not just 4/4," as Barthel explains. The result is music that "makes you move differently," drawing listeners into their world.
Their willingness to explore new musical territories has been a constant throughout their career. Barthel has spoken about the deliberate nature of these experiments, stating, We wanted to experiment again. We used to do this a lot along the beginning of Phantogram.
On the day Sarah Barthel was born, October 1, 1983, a different kind of musical milestone was being celebrated as well. The number one song on the Billboard Hot 100 was "Baby, Come to Me" by Patti Austin and James Ingram, a testament to the timeless power of music to capture moments and emotions.
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The evolution of Phantogram is a testament to the enduring power of artistic collaboration and personal resilience. Both Barthel and Carter met in preschool in Saratoga Springs, NY. Their enduring friendship forms the core of their musical partnership. They share a deep understanding of each other. Carter and Barthel, friends since childhood, bring their lifelong experiences and understanding to the music they make together.
Barthel, a musician from the United States of America, is essentially a pop singer and keyboard artist. She plays a crucial role, making half of the electronic music duo that is Phantogram. Her journey, from the early days in upstate New York to global recognition, reflects a relentless pursuit of creative expression. Her captivating stage presence and dynamic performances have wowed audiences at major music festivals worldwide.
The aphorism, the more things change, the more they stay the same, resonates deeply with Phantogram's trajectory. While the world around them has changed, their commitment to their artistic vision and their deep bond as friends has remained a constant. When it came to the making of the duos fourth album, "Ceremony," everything was different for lifelong friends Sarah Barthel and Josh Carter. As they navigate life's ups and downs, their music continues to evolve, reflecting both the personal experiences and the broader cultural landscape.
The release of their new single, "You Don't Get Me High Anymore," was a significant moment, marking the start of the next phase in their musical exploration. The song premiered on Zane Lowe's Beats 1 radio show. This track served as a preview of the duo's collaborative album. Their partnership with other artists like Big Boi and Miley Cyrus has further expanded their creative palette and introduced their unique sound to new audiences.
The band's commitment to experimentation is a defining characteristic. For the bands Barthel and Carter, writing the new music was their most exciting. This constant pursuit of fresh sounds and arrangements keeps their music contemporary.
The duo is constantly creating. Their fifth album, Memory of a Day, released on October 18 via Neon Gold Records, provides a testament to their enduring partnership. "It Wasn't Meant To Be" is one of the singles. Barthel and Carter's approach to creating bass lines is unique, creating memorable music. "She shares her influences, writing process, and love for short scale basses."
The intimacy of their music is often rooted in deeply personal experiences. Barthel has shared her story of grief and healing following the death of her sister, Becky, by suicide, a harrowing experience that profoundly impacted her life and art. Barthel has also opened up about her involvement with the American Foundation for Suicide Prevention (AFSP), highlighting the importance of support systems in the face of such loss. Barthels willingness to share her story. Her music is a way of coping and making a difference.
Beyond the music, Barthel's personal life has also captured the public's attention. Her relationship with Olympic snowboarder and skateboarder Shaun White has brought her into the spotlight, as she is known to have some star power. Their connection, which began in a rather unconventional setting, has since blossomed into a relationship built on mutual respect and understanding. As the story of their relationship began with Saturday Night Live, a bad rental house, a mean dog and east los angeles:
Shaun White, born on September 3, 1986, in San Diego, California, is a celebrated athlete. He is known for being an accomplished pro snowboarder and a two-time Olympic gold medalist. White's success in snowboarding is well-known. The relationship highlights the interplay between the worlds of music and sports.
In the summer of 2007, Barthel returned home from Champlain College in Vermont. Carter returned home after playing in New York with Grand Habit, an experimental group formed with his brother, John. This was the same period when Phantogram was starting. Their artistic journeys intersected once more.
Phantogram has, over the years, released five albums, four EPs, and 24 singles. Their body of work is a testament to their evolution and consistent creativity. Their ability to collaborate with artists from diverse musical backgrounds speaks to their artistic versatility. The band's enduring appeal, their artistic evolution, and their commitment to addressing difficult subjects in their music, position them as significant figures in contemporary music.
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